In Coralie Fargeat's brand-new feminist terror flick The Substance, harmful social appeal requirements are the actual monsters. They (female objectification, the disposal of "the old," the expansion of a field built on body adjustment) feed a beast of a pattern that leads Demi Moore's fading television individuality character Elisabeth https://puppetmasteriiitoulonsrevenge.shotblogs.com/the-substance-2024-44057301